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1983 Don Yeomans Haida Rare Berry Picker Serigraph Unframed

$ 224.4

Availability: 100 in stock
  • Return shipping will be paid by: Buyer
  • All returns accepted: Returns Accepted
  • Provenance: Ownership History Available
  • Tribal Affiliation: Haida
  • Artisan: Don Yeomans
  • Country/Region of Manufacture: Canada
  • Return policy details: Most items sold by this seller support local First Nations artists working in British Columbia, so we encourage you to just keep or exchange your item(s) rather than request a cash refund. The artists represented by this seller truly rely on sales for their livelihood and suffer when cash must be taken back from them. We will make every effort to complete an exchange that leaves everyone happy :) Please contact us before requesting a refund from Ebay or PayPal. Thanks so much for your interest.
  • Refund will be given as: Money back or exchange (buyer's choice)
  • Item must be returned within: 14 Days
  • Restocking Fee: No
  • Condition: New

    Description

    Hunting and gathering has always been a popular and respected activity among Indigenous communities in the Pacific Northwest. Berry picking is a happy time of year: the sun is out, nature is providing all sorts of treats, and one can harvest in warm temperatures with friends and family. Don Yeomans portrays this activity here, in this classic serigraph from 1983. Measuring 15" by 15", this signed and numbered print comes unframed.
    Don Yeomans carves jewellery in gold and silver, and he also produces limited edition prints, poles, and sculptures in wood and glass. He was introduced to Northwest Coast art by late Haida artist Freda Diesing. In 1976, he studied at Langara College in the Fine Arts program. Don then apprenticed under accomplished Haida artist Robert Davidson. His design The Frog People Fleeing from the Black Bear was chosen to be included in the Northwest Coast Indian Artists’ Guild graphic collection. In 1978, he helped Robert Davidson produce four totem poles for the Charles Edenshaw Memorial Longhouse in Masset, BC. In the 1980s, Don completed a two-year apprenticeship with celebrated Gitksan artist Phil Janzé. He learned engraving, chasing, casting, and repoussé techniques during this time. In 2007, Don received a commission to create a 40-foot totem pole at the Vancouver International Airport. In 2008, he carved a 20-foot totem for the McMichael Gallery's permanent collection, which interwove traditional iconography and totemic animals with different modern modes of communication, including a cell phone, laptop, and an MP3 player. Don has become one of the most accomplished Haida artists working today.
    "indigenous elder", "indigenous women", "native american elder", "berry picking", "haida prints"